It is important to remember that you are buying an original vintage fine art poster an not a reproduction of any kind. We do not use terms like “mint” or “near mint” condition, as they are highly subjective. Each of our pieces is photographed in high quality so you can zoom in and view the poster in greater detail. In addition we use the following IVPDA (International Vintage Poster Dealers Association) approved condition rating system:
"A" Condition: the poster is in fine condition. The colours are fresh and there is no paper loss. If there is a slight tear, or folds, it is very unobtrusive.
"B" Condition: the poster is in good condition. The colours are acceptable. While slight paper loss maybe evident, it does not distract from the image. Restoration, if any, is not immediately apparent.
"C" Condition: the poster is in fair condition. Colours are faded, and there are signs of more extensive restoration. Existing folds are more visible, and possibly minor paper loss.
We further use '+' or '-' to more precisely describe the condition of a particular item (e.g.: B+). On top of this, we describe any “condition particularities” for individual pieces on its product page.
We apply the above condition rating system to all our posters and prints. If you have additional questions regarding our piece’s condition, we invite you to submit any inquiries.
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Time for reading - Against All Odds: Polish Graphic Design 1919–1949
(...) This 408 page volume is an overflowing treasure-trove of graphic work prior to the 50s–60s golden age of postwar Polish posters. - Steven Heller
Rypson examines the different faces of Modernism in Poland from the revival of the nation at the end of the First World War to the imposition of Stalinism in the late 1940s. He is an expert guide, supplying fast-paced narratives about the commercial, state and political clients for whom graphic designers worked. (...) - David Crowley, "Eye"
Design junkies need to buy this sucker immediately. - Will Schofield, 50watts.com
When you'll open book Against All Odds: Polish Graphic Design 1919–1949 by Piotr Rypson, (Polish art critic, art and literature historian), you'll know that those strong opinions are truly justified. Hard coverered publication designed by Przemek Dębowski and published by Karakter, hides a lot of carefully selected examples of graphic design created from time just after World War I till 50's: posters, stamps, ads, publications, packages, logotypes or even old invoices and blank forms. Designs which were created in the service of the state (for example - interesting and sometimes a bit unusual modifications of state emblem, created in times just after World War I when there were no precise regulations for using the shape of white eagle) or "not so serious" ads and projects, which sometimes are a bit funny. We have here rich review of many types of realisations, which currently are often definitely not easy to find.
From decorative compositions referring to folk motifs, through searching of new forms, to modern styles; from experimental typograhic compositions created by futurists to new order of functionalism; graphic projects used by collaborators and conspirators in hard times of Wold War II - all of them are nice parts of this great journey through the past decads of graphic design, but also of lifestyle in general.
This book is a "must have" for people who are interested in history and theory of art & graphic design, collectors, as well as for graphic designers, who are looking for a good dose of inspiration - as author rightly pointed out, many of contemporary creators willingly reach for inspiration from that period.
The book was first issued in Polish so below - photos of Polish version. More about English edition as well as about author of this book - here, on publisher's website.
English book cover version - source: karakter.pl, photos: M. Koscianska